Gedeon Burkhard Brings Back the Scalps: Inglourious Basterds
Award-winning actor Gedeon Burkhard stars opposite Brad Pitt in the much anticipated Quentin Tarantino film Inglourious Basterds. Burkhard plays American Jew Sgt. Wilhelm Wicki who serves as a translator for Pitt’s character. Some of his other film credits include: The Last Train (directed by Joseph Vilsmaier), Melodies of Spring (directed by Martin Walz), Golden Times (directed by Peter Thorwart) and Making Up (directed by Katja V. Garnier).
Burkhard is the recipient of the Best Actor Bavarian Award for his work in Acting It Out and also received a Romy for Best Actor for the acclaimed his television series Detective Rex, which went on to sell to over 140 foreign territories. In addition, he also helmed a successful television series Alarm for Cobra 11 that aired in 120 countries.
Burkhard’s success in film and television has catapulted him onto the main stage in one of the most highly anticipated movie releases of 2009, Inglourious Basterds. IFQ caught up with Burkhard on the eve of the film’s premiere at the 2009 Cannes Film Festival.
IFQ: You play opposite Brad Pitt in the much anticipated Quentin Tarantino film Inglourious Basterds. Without revealing too much about the film, can you tell me about your character Sgt. Wilhelm Wicki?
Gedeon Burkhard: He’s a Basterd! One of 8 Jewish American, Nazi killing predator’s, in a world gone awry. Especially for Jews! As far as his history goes, he was born in Austria, immigrated to America in the early 1920’s, became American and was one of the first in line to go fight when the US entered the war. Aside from killing and mutilating, he also translates for Brad Pitt’s character, Lt. Aldo Raine.
IFQ: You are an award-winning star of consecutive top-rated television dramas in Germany and over 120 territories worldwide, as well as starring in many films in German-speaking territories. How did you cross over and score a supporting role in Tarantino’s film?
GB: Ten years ago in Vienna, I come home from a night shoot and find one of the greatest Directors of our time, fast asleep, on my couch. As it turns out, my girlfriend at the time, Emma Hickox, and Q are old friends. Actually, one of the characters in Inglourious Basterds is named after her late father and director Douglas Hickox. One year later in L.A., Quentin tells me about this character he has me in mind for and then, very generously, gives me eight years to prepare for the audition.
IFQ: How did you prepare for this role? Were you previously familiar with the old school WWII epic films?
GB: When I was 11, working on a miniseries dealing with the rise and downfall of the Third Reich, I was confronted with the subject matter for the first time. Since then I have played a Jewish prisoner picked from a concentration camp to act in Jud Süss (Anti-Semitic propaganda film) and a Jewish boxer fighting for his family’s survival on the way to Auschwitz. So since a lot of research was already in place, I mainly concentrated on playing around with knives, handling guns, slitting throats, scalping and so forth. As far as WW II epics go, any existing gaps where closed by Q’s weekly screenings during preparation.
IFQ: What was your initial reaction when you first read the script? While shooting, did Tarantino make everyone stick to the script or was there any room to improvise?
GB: My initial reaction was, God I can’t wait to see this! And, who do I have to kill to be in it?! I’m not quite sure about the order. Who, in his right mind, would want to change a Quentin Tarantino script? You’re just happy to be one of the lucky f***’s chewing his dialogue. But Quentin is the easiest going Genius I ever met and he is always open for someone bringing something to the table.
IFQ: How was the experience working with Tarantino himself? What’s his working process like on set?
GB: A film set is always the realm of organized chaos and to me, Quentin is King Arthur and Merlin wrapped into one! So being one of his chosen Knights, I naturally look to him for direction and guidance, which he readily gives. But Quentin also likes to let you run free in his magic castle; his only demands are devotion to the cause, passion and concentration.
IFQ: What was it like working alongside such a diverse cast: Brad Pitt, Eli Roth, Samuel Jackson, Maggie Cheung, Julie Dreyfus and Diane Kruger? What was your rapport like with them on the set?
GB: I never had the pleasure of meeting Maggie or Samuel. Quoting Quentin, Brad’s not a star; he’s a planet! And still he manages to be nothing but inspirational and a pleasure to be around. He is a wonderful colleague whose huge talent just drags you along, making you be the best you can be. Eli is a great buddy, but on set he was also our boss, Sgt. Donnie Donowitz! So if you mishandled your weapon, on or off camera, he chewed your ass out! Julie and Diane are both gorgeous, inside and out! I didn’t have the honor to work with Julie but Diane, who I worked next to for weeks, was an endless fountain of entertainment and laughs.
IFQ: How do you think the German population in general will react to the film? Will they be able to separate history’s past and appreciate it as an entertaining film on its own merit?
GB: Quentin has managed to deal with this difficult subject matter in a way that gives everybody in his right mind the possibility to access and partake in the story and the ones that don’t, can as far as I’m concerned go F*** themselves!
IFQ: You have worked on both German-speaking and American films. Can you compare and contrast working on German-speaking films/TV and the USA/Germany co-production film Inglourious Basterds?
GB: Crew size and Production value. Aside from that, everybody is trying to do the same thing: make a good movie!
IFQ: Can you tell me how your educational background has allowed you to play both American and German speaking characters?
GB: Being an impossible child and always getting kicked out of schools was, not at the time but in retrospect, a good thing. It led to me being educated, first in England and then in America, giving me the gift of two languages and two cultures.
IFQ: Since Inglourious Basterds will premiere at the 2009 Cannes Film Festival, will we see you there?
GB: Since I have never been to the Cannes Film Festival, you can bet your ass you’re going to see me there this year!
IFQ: Any upcoming projects?
GB: I just finished shooting a film called Mazel. It‘s a Jewish take on My Big Fat Greek Wedding.